top of page


The novel opens with Lucy, one of the protagonists, mentally going through the things that she hates in her mind. Try as she might, she cannot come up with anything that trumps waiting in a que to get into her local butcher’s shop. Waiting in the cold outside as the line slowly moves towards the entrance. To make matters worse she is stuck with, Emma, who would consider herself a friend of Lucy’s, but Lucy does not really share the same view, perhaps, acquaintance might be a better definition. Emma’s constant prattle about sex is driving Lucy insane.

Just as Emma’s talk is starting to cause sniggers in the line, they finally make it to the counter, behind the counter we meet Joseph, the other protagonist of the novel.

It is also here that we find the structure of the narrative as the perspective changes to Joseph. Throughout the novel the perspective will shift between protagonists, many times quite suddenly and within the chapter and the book is a far more rewarding read because of it.

Emma flirts with Joseph outrageously but it is Lucy that, despite Emma’s flirtatious distractions, catches Joseph’s eye. They have met before this is where Lucy shops, but he does not just see Lucy, he “notices” her. Big difference.

Lucy is single because her toxic husband Paul just could not seem to rid himself of all the habits and actions that made him toxic. Drug use, bringing drugs and users and dealers into their family home with the children. Mental abuse in the form of calling her names and constantly demeaning her. When violence entered the picture in the form of Paul, hitting a Deliveroo driver, Lucy decided to leave and move him out of the picture for her and the kid’s safety.

Joseph is black single and twenty-two years of age. He has been drifting along in life not truly sure what he wants from it. He works multiple part time jobs, while he hopes he will find some direction in life. Baby-sitting is one his jobs and this is how he and Lucy start to get to know each other.

What makes this a great read, apart from Hornby’s simple yet elegant prose, is that the reader gets to see the relationship from both perspectives. The mistaken assumptions, the fear of rejection, the twin taboos of age and race difference, which really should not be taboo at all in this age.

The narrative is also populated by some great characters who contribute to the subtle humour of the novel. It will not have you laughing out loud buy you may find yourself with a smile on your face for most of the book.

Another major strength of the book is the dialogue. Dialogue, particularly in this genre, needs to feel real and flow along nicely and Hornby’s dialogue not only does the job, it’s great and adds so much depth to the characters.

It’s easy to say that love conquers all and love transcends the boundaries and limits that society and civilization place upon it. But this book is firmly grounded in reality, and the relationship never feels stable.

Everything they do, going to a play, meeting friends, attending functions, exposes cracks in the relationship. Cracks that seem to grow deeper as time goes on threatening the two with arguments and potential break up. The question is whether their love is enough to repair the cracks.

It’s about worrying and stressing over what the people in your circle of life think. Your friends, your workmates, your parents and relatives. How these worries eventually end up corroding your own thoughts.

By all accounts this is a relationship that just should not work on every level. The difference in age, the difference in race, the difference in class. Reading the narrative from both perspectives we find that both characters spend all their time worrying about these differences and how easily any one of these differences could have dire consequences for the relationship.

This novel takes place while England is in the middle of their Brexit referendum, and at times I feel Hornby is using Brexit as a metaphor for the relationship. The pros and cons of staying or leaving, everybody having a different opinion. Or is he simply using it as another prop to shine a light on the difference between the couple?

Above all this book to me is about just doing what feels right in life. Forget about what anybody thinks, forget about what society deems taboo or frowns upon. If it feels good, logically it must be good. Live your life doing what makes you happy, not what others think makes you happy.

A most entertaining novel. 4 Stars.

Nick Hornby is the author of the novels A Long Way Down, Slam, How to Be Good, High Fidelity, and About a Boy, and the memoir Fever Pitch. He is also the author of Songbook, a finalist for a National Book Critics Circle Award, Shakespeare Wrote for Money, and The Polysyllabic Spree, as well as the editor of the short-story collection Speaking with the Angel. He is a recipient of the American Academy of Arts and Letters’ E. M. Forster Award and the winner of the 2003 Orange Word International Writers’ London Award. Among his many other honors and awards, four of his titles have been named New York Times Notable Books. A film written by Hornby, An Education – shown at the Sundance Film Festival to great acclaim – was the lead movie at the 2009 Toronto Film Festival and distributed by Sony that fall. That same September, the author published his latest novel, Juliet, Naked to wide acclaim. Hornby lives in North London.

There is a wonderful interview with Nick talking about the book here at this link -


42 views0 comments

Recent Posts

See All
bottom of page