Yes, my favourite time of the year has arrived. The 2020 Booker Prize Longlist has been announced and I have not read any of the "Booker dozen". Here is a list of all thirteen books with synopsis' and author biographies from goodreads.
Helen Phillips meets Miranda July in this daring and imaginative debut novel that explores a moving mother-daughter relationship in a world ravaged by climate change and overpopulation, a suspenseful second book from the author of the acclaimed story collection, Man V. Nature.
Bea’s five-year-old daughter, Agnes, is slowly wasting away. The smog and pollution of the City—an over-populated, over-built metropolis where most of the population lives—is destroying her lungs. But what can Bea do? No one leaves the City anymore, because there is nowhere else to go. But across the country lies the Wilderness State, the last swath of open, protected land left. Here forests and desert plains are inhabited solely by wildlife. People are forbidden. Until now.
Bea, Agnes, and eighteen others volunteer to live in the Wilderness State as part of a study to see if humans can co-exist with nature. Can they be part of the wilderness and not destroy it? Living as nomadic hunter-gatherers, this new community wanders through the grand country, trying to adhere to the strict rules laid down by the Rangers, whose job it is to remind them they must Leave No Trace. As the group slowly learns to live and survive on the unpredictable and often dangerous land, its members battle for power and control and betray and save each other. The farther they roam, the closer they come to their animal soul.
To her dismay, Bea discovers that, in fleeing to the Wilderness State to save Agnes, she is losing her in a different way. Agnes is growing wilder and closer to the land, while Bea cannot shake her urban past. As she and Agnes grow further apart, the bonds between mother and daughter are tested in surprising and heartbreaking ways.
Yet just as these modern nomads come to think of the Wilderness State as home, its future is threatened when the Government discovers a new use for the land. Now the migrants must choose to stay and fight for their place in the wilderness, their home, or trust the Rangers and their promises of a better tomorrow elsewhere.
Diane Cook is the author of the novel, THE NEW WILDERNESS, and the story collection, MAN V. NATURE, which was a finalist for the Guardian First Book Award, the Believer Book Award, and the Los Angeles Times Art Seidenbaum Award for First Fiction. Her writing has appeared in Harper's, Tin House, Granta, and other publications, and her stories have been included in the anthologies Best American Short Stories and The O. Henry Prize Stories. She is a former producer for the radio program This American Life, and was the recipient of a 2016 fellowship from the National Endowment for the Arts. She lives in Brooklyn, New York.
A searing novel about the obstacles facing women in Zimbabwe, by one of the country’s most notable authors
Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow’s boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point.
In This Mournable Body, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival. As a last resort, Tambudzai takes an ecotourism job that forces her to return to her parents’ impoverished homestead. It is this homecoming, in Dangarembga’s tense and psychologically charged novel, that culminates in an act of betrayal, revealing just how toxic the combination of colonialism and capitalism can be.
Spent part of her childhood in England. She began her education there, but concluded her A-levels in a missionary school back home, in the town of Mutare. She later studied medicine at Cambridge University, but became homesick and returned home as Zimbabwe's black-majority rule began in 1980.
She took up psychology at the University of Zimbabwe, of whose drama group she was a member. She also held down a two-year job as a copywriter at a marketing agency. This early writing experience gave her an avenue for expression: she wrote numerous plays, such as The Lost of the Soil, and then joined the theatre group Zambuko, and participated in the production of two plays, Katshaa and Mavambo.
In 1985, Dangarembga published a short story in Sweden called The Letter. In 1987, she also published the play She Does Not Weep in Harare. At the age of twenty-five, she had her first taste of success with her novel Nervous Conditions. The first in English ever written by a black Zimbabwean woman, it won the African section of the Commonwealth Writers Prize in 1989. Asked about her subsequent prose drought, she explained, "There have been two major reasons for my not having worked on prose since Nervous Conditions: firstly, the novel was published only after I had turned to film as a medium; secondly, Virginia Woolf's shrewd observation that a woman needs £500 and a room of her own in order to write is entirely valid. Incidentally, I am moving and hope that, for the first time since Nervous Conditions, I shall have a room of my own. I'll try to ignore the bit about £500."
Dangarembga continued her education later in Berlin at the Deutsche Film und Fernseh Akademie, where she studied film direction and produced several film productions, including a documentary for German television. She also made the film Everyone's Child, shown worldwide including at the Jameson Dublin International Film Festival.
A searing debut novel about mothers and daughters, obsession and betrayal - for fans of Deborah Levy, Jenny Offill and Diana Evans
'Taut, unsettling, ferocious' Fatima Bhutto, author of The Runaways
'Acerbic, full of wit and cool intelligence - every sentence is a coiled spring and each psychological portrait burns itself into the mind. I couldn't put it down' Olivia Sudjic, author of Exposure and Sympathy
'Crystalline, surgical, compulsively readable. An examination of toxic relationships and the ties that bind us' Sharlene Teo, author of Ponti
In her youth, Tara was wild. She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.
This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.
'Daring and deliciously dark, Burnt Sugar will keep you gripped until the very last sentence' Zeba Talkhani
'Raw, wise and cuttingly funny on love and cruelty, marriage and motherhood, art and illness, and one woman's fight for her sense of self' Rowan Hisayo Buchanan
Avni Doshi was born in New Jersey in 1982. She studied Art History at Barnard College, and completed her MA in the History of Art at University College London. Before writing fiction, Avni worked as a curator and art critic with a specialization in contemporary art from South Asia. ... Avni lives in Dubai with her family.
Who They Was is an electrifying autobiographical British novel: a debut that truly breaks new ground and shines a light on lives that run on parallel, but wildly different tracks.
This life is like being in an ocean. Some people keep swimming towards the bottom. Some people touch the bottom with one foot, or even both, and then push themselves off it to get back up to the top, where you can breathe. Others get to the bottom and decide they want to stay there. I don’t want to get to the bottom because I’m already drowning.
This is a story of a London you won’t find in any guidebooks.
This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities – and the girls trying to make it their own way.
This is a story of reputations made and lost, of violence and vengeance – and never counting the cost.
This is a story of concrete towers and blank eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal.
This is about the boredom, the rush, the despair, the fear and the hope.
This is about what’s left behind.
Gabriel Krauze grew up in London in a Polish family and was drawn to a life of crime and gangs from an early age. Now in his thirties he has left that world behind and is recapturing his life through writing. He has published short stories in Vice. Who They Was is his first novel.
“If you cannot speak truth at a beheading, when can you speak it?”
England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen before Jane dies giving birth to the male heir he most craves.
Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?
With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion, and courage.
Hilary Mantel is the bestselling author of many novels including Wolf Hall, which won the Man Booker Prize and the National Book Critics Circle Award for fiction. Bring Up the Bodies, Book Two of the Wolf Hall Trilogy, was also awarded the Man Booker Prize and the Costa Book Award. She is also the author of A Change of Climate, A Place of Greater Safety, Eight Months on Ghazzah Street, An Experiment in Love, The Giant, O'Brien, Fludd, Beyond Black, Every Day Is Mother's Day, and Vacant Possession. She has also written a memoir, Giving Up the Ghost. Mantel was the winner of the Hawthornden Prize, and her reviews and essays have appeared in The New York Times,The New York Review of Books, and the London Review of Books. She lives in England with her husband.
From the National Book Award-winning and bestselling author of Let the Great World Spin comes an epic novel rooted in the real-life friendship between two men united by loss.
Colum McCann's most ambitious work to date, Apeirogon--named for a shape with a countably infinite number of sides--is a tour de force concerning friendship, love, loss, and belonging.
Bassam Aramin is Palestinian. Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their daily lives, from the roads they are allowed to drive on, to the schools their daughters, Abir and Smadar, each attend, to the checkpoints, both physical and emotional, they must negotiate.
Their worlds shift irreparably after ten-year-old Abir is killed by a rubber bullet and thirteen-year-old Smadar becomes the victim of suicide bombers. When Bassam and Rami learn of each other's stories, they recognize the loss that connects them and they attempt to use their grief as a weapon for peace.
McCann crafts Apeirogon out of a universe of fictional and nonfictional material. He crosses centuries and continents, stitching together time, art, history, nature, and politics in a tale both heartbreaking and hopeful. Musical, cinematic, muscular, delicate, and soaring, Apeirogon is a novel for our time.
Colum McCann is the author of three collections of short stories and six novels, including "Apeirogon," due to be published in Spring 2020. His other books include "TransAtlantic," "Let the Great World Spin," "This Side of Brightness,""Dancer" and “Zoli,” all of which were international best-sellers.
“Let the Great World Spin” won the National Book Award in 2009. His fiction has been published in over 40 languages and has appeared in The New Yorker, The Atlantic Monthly, GQ, Paris Review and other places. He has written for numerous publications including The Irish Times, Die Zeit, La Republicca, Paris Match, The New York Times, the Guardian and the Independent.
Colum has won numerous international awards and has been a bestseller on four continents. He is a member of the American Academy of Arts and Letters, as well as the Irish association of artists, Aosdana. He has also received a Chevalier des Artes et des Lettres from the French government. He is the cofounder of the global non-profit story exchange organisation Narrative 4.
In 2003 Colum was named Esquire magazine's "Writer of the Year." Other awards and honors include a Pushcart Prize, the Rooney Prize, the Irish Independent Hughes and Hughes/Sunday Independent Novel of the Year 2003, and the 2002 Ireland Fund of Monaco Princess Grace Memorial Literary Award. He was recently inducted into the Hennessy Hall of Fame for Irish Literature.
His short film "Everything in this Country Must," directed by Gary McKendry, was nominated for an Academy Award Oscar in 2005.
Colum was born in Dublin in 1965 and began his career as a journalist in The Irish Press. In the early 1980's he took a bicycle across North America and then worked as a wilderness guide in a program for juvenile delinquents in Texas. After a year and a half in Japan, he and his wife Allison moved to New York where they currently live with their three children, Isabella, John Michael and Christian.
Colum teaches in Hunter College in New York, in the Creative Writing program, with fellow novelists Peter Carey and Tea Obreht.
Colum has completed his new novel, "Apeirogon." Crafted out of a universe of fictional and nonfictional material, McCann tells the story of Bassam Aramin and Rami Elhanan. One is Israeli. One is Palestinian. Both are fathers. Both have lost their daughters to the conflict. When Bassam and Rami learn of each other's stories they recognize the loss that connects them, and they begin to use their grief as a weapon for peace.
In the novel McCann crosses centuries and continents. He stitches together time, art, history, nature and politics in a tale both heartbreaking and hopeful. Musical, cinematic, muscular, delicate and soaring, Apeirogon is a novel for our times.
A gripping novel set during Mussolini’s 1935 invasion of Ethiopia, The Shadow King takes us back to the first real conflict of World War II, casting light on the women soldiers who were left out of the historical record.
With the threat of Mussolini’s army looming, recently orphaned Hirut struggles to adapt to her new life as a maid in Kidane and his wife Aster’s household. Kidane, an officer in Emperor Haile Selassie’s army, rushes to mobilize his strongest men before the Italians invade. His initial kindness to Hirut shifts into a flinty cruelty when she resists his advances, and Hirut finds herself tumbling into a new world of thefts and violations, of betrayals and overwhelming rage. Meanwhile, Mussolini’s technologically advanced army prepares for an easy victory. Hundreds of thousands of Italians—Jewish photographer Ettore among them—march on Ethiopia seeking adventure.
As the war begins in earnest, Hirut, Aster, and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms against the Italians. But how could she have predicted her own personal war as a prisoner of one of Italy’s most vicious officers, who will force her to pose before Ettore’s camera?
What follows is a gorgeously crafted and unputdownable exploration of female power, with Hirut as the fierce, original, and brilliant voice at its heart. In incandescent, lyrical prose, Maaza Mengiste breathes life into complicated characters on both sides of the battle line, shaping a heartrending, indelible exploration of what it means to be a woman at war.
Maaza Mengiste is a novelist and essayist. Her debut novel, Beneath the Lion’s Gaze, was selected by the Guardian as one of the 10 best contemporary African books and named one of the best books of 2010 by Christian Science Monitor, Boston Globe and other publications. Her fiction and nonfiction can be found in The New Yorker, Granta, the Guardian, the New York Times, BBC Radio,and Lettre International, among other places. She was the 2013 Puterbaugh Fellow and a Runner-up for the 2011 Dayton Literary Peace Prize. Both her fiction and nonfiction examine the individual lives at stake during migration, war, and exile, and consider the intersections of photography and violence. She was a writer on the social-activist documentary film, Girl Rising, which features the voices of actors such as Meryl Streep, Liam Neeson, and Cate Blanchett. She currently serves on the boards of Words Without Borders and Warscapes.